This is, or at least was one of my favourite fishing locations, but they changed the lighting, so the water isn’t as well illuminated at night. As a result this wonderful location, such a short drive from home has more or less shut down.
Still, it’s a pretty picture. It’s also one of the most polluted places in Sydney, the sediments being filled with all sorts of crap from a hundred years worth of industrial use.
This is the design college I was studying and working at for a while. It’s right down the bottom of the street I was living on at the time. Which was convenient to say the least.
One great thing about these old cemeteries, they can often represent the last remaining areas of tree cover in densely populated inner city suburbs.
This is a nice vista of the whole area inside the graveyard walls.
This is an early attempt at a high dynamic range image. It’s a bit difficult to make out, but the location of the image is in the back of a very tight corner at one edge of the graveyard.
See all those headstones against the wall. Oh yes “You son of a bitch. You moved the cemetery, but you left the bodies, didn’t you? You son of a bitch, you left the bodies and you only moved the head stones. You only moved the head stones. Why? Why?”.
Unfortunately I only shot one set of exposures for this, and no nadir frame.
I may have to reshoot it to get a high dynamic range image, but that will be difficult given the tendency of trees to move in the slightest breeze. either way, it’s a nice image as it is.
One of Newtown’s most loved locations is St Stephens church and cemetery.
Apparently the final resting place to a number of (in)famous individuals, it’s overgrown nature makes it a picnic and photography favourite.
Cloudlands house is a place you can rent in the blue mountains west of Sydney. It may look like a simple weatherboard cottage, but once you’re inside it’s all dark wood panelling, fireplaces and big clawfoot baths.
This poster was produced for the 2007 Sydney Supanova convention. I was a tad uneasy about this one, since it deviated from the thematic elements I’d preferred – angry female characters wielding blunt objects. Still, I’d had a few people asking for images that were less in that direction, a couple specifically asking for some sort of “cyber chick”, and thus, this image. I think this one worked worked really well from a volumetric perspective, and the character has quite a different body type from the other two, far more solid (to my eye, at least).
What I like most about this one is the compositional alignment of the cog with the knees and shoulders.
This image was printed by our new printer and is even more lustrous than the others. Again, it’s a limited run of 50, on 200gsm stock, A3 size and available from the store.
This is the most popular of the poster images I’ve created, and was done in tandem with Blank for the Sydney Supanova convention in late 2006. The character shown here may or may not make an appearance in the sequel to Surfing The Deathline, Nations.
The initial designs for the character date to 2002 when I was studying animation, during which I created a walk cycle animation of her. During a break from Surfing The Deathline I revived her for a sort of fantasy project, based around the idea of exploring queue rage – hence the name “Cliche”. As I rediscovered my enthusiasm for Surfing The Deathline I shelved the project, but who knows I may still pursue it.
Like Blank, this was a limited printrun of 50, signed and numbered. It’s printed on 200gsm stock, and A3 in size. There’s less than 10 remaining, so if you like it, go visit the store – they tend to sell pretty quickly when I do an event.
Everyone loves a girl with a shaven head, boots and a big freaking spanner.
And if you don’t, well, best say you do and avoid a spannering.
This image features the character “Blank” from Surfing The Deathline (free stuff to the first person to correctly identify the origin / reference of her name). I think as an image this is the best of the posters, mainly for the sense of weight and inertia the character carries to one side, balanced by the cog wheel.
Fun fact: the rusty metal surface of the cog is a photo of my coffee table.
The poster of this image is A3 size and printed in full colour on 200gsm stock. It’s a limited signed and numbered printrun of 50 only, and they’re available from the Golgotha store.