BØN541 is an ongoing series or works, up to its third revision, and is based around using the form of a bonsai tree, grown over a boulder, as a template for making a post-biological “lifeform”.
BØN541 v1.0

BØN541 v2.0

BØN541 v3.0

Pinned and chronological feed of posts. Check The State of The Art for the big picture.
A first experimental attempt at Astro-landscape photography.
One of the problems when carrying a DSLR, is that occasionally you might want to go somewhere with your camera, where you want to take the minimum amount of bag to protect it, but not have a second strap around your neck / shoulders when you take your camera out to shoot.
Another problem, is that you might go somewhere that doesn’t allow you to carry even a small bag into a venue (some art galleries, for example), but you still want your camera on a strap.
Here’s a solution that ads a Blackrapid connector, on a slider that runs along the small bag’s shoulder strap, and which, when you detach the strap from the bag and join its ends together, turns it into effectively a standalone Blackrapid camera strap.
In this case, the bag is a Lowepro Toploader 70AW. This is a bag that can take a full size pro body, with a medium sized lens like a 24-70 still attached.

Two key features of this bag, the first is that the zipper that closes it – it’s one continuous length, even though there’s two zips and a buckle in the middle. That’ll be important later. The second, the shoulder strap clips on at both ends, so can be removed.
For the dropper to connect the Blackrapid connector, I’m using a Blackrapid Backpack Strap as the donor for all the parts.

This has the advantage that it comes with all the bits you need – the BR connector, the safety catch to cover the thumbscrew (not shown in this pic), and importantly, the webbing has a loop sewn on the end.
The Backpack strap has two plastic carabiners on it (the updated version only has one). One is connected to the full length of the strap, the other, to a short loop (left and right images above, respectively).
The other parts you’ll need, are a nice smooth stainless steel d-shackle, wide enough to fit the bag’s strap, but narrow enough that it won’t be able to slide over the clips, and off the end, and a safety splitring.
Now, you’re ready to reassemble.
You’ll want to seal the cut end of the webbing with a bit of fire (I’ll leave it to you as to how to create that). The difficult part is getting it back through the cleat, which isn’t strictly designed for a double layer of webbing. It’s doable, just difficult. When you’re heat-sealing it, try to squash it flat, so it’ll feed through more easily. You could then double it over with glue / stitching so that it can’t possibly go back through.
Don’t forget to thread on the Blackrapid clip in the process.
The splitring is optional, but what it does, is prevent the pin in the shackle from turning, so that it can’t come loose.
Going back to the advantage of the Lowepro bag having a single zipper – once you connect your camera to the Blackrapid you can now put it in the bag while leaving it connected, and then close the bag behind it.
Not shown – The safety tether I use with any connection system. In this case, I attach it to the shackle, since the split ring means it isn’t capable of undoing.
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Met a friendly and photogenic adolescent duck while walking by the river.
An introduction to sculpting with digital clay in VR, using Kodon.
BØN541 v3.0 is the third in my BØN541 series, exploring the form of bonsai trees, using recycled & salvaged materials.
This work was created to be a setpiece for the 2018 staging of Rent, the musical, by Matt Ward Entertainment, at QPAC Brisbane. It is the largest work I’ve produced so far, and is constructed primarily from corrugated plastic water pipe, which is suspended using the truss and chain from my 2012 work Reconfigure.
Demonstrating the ability to craft a narrative experience within a medium defined by the user’s ability to direct their attention wherever they like. In this case, the trail of signposts are used to build a pattern of attention capture, and the waterfall provides a controlled opportunity for user rebellion – for the viewer to not read the final sign straight away, but still have their attention directed away from the surprise.
An experiment in the potential of animation-based brushes in a VR painting application, in creating dynamic experiential locations, in which one can walk around.
VR Demo demonstrating the potential of roughing out the design for a functional space in three dimensions, at 1:1 scale.
Using Virtual Reality to design a large setpiece sculpture in three dimensions, at 1:1 scale.
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