Continuing to work on small bits and pieces, taking a few days of downtime after a grant application. Still reorganising my Aperture library so as to make the migration over to Capture One more effective.
I had a success with scripting Aperture to change the names of projects to a format that’s easier to order, since organising by date is broken. I found a really helpful online community – macscripter.net, and a couple of folks there have been writing up scripts to help with the task.
I spent some time fixing the clothesline, which had been broken by the solar installers – it involved getting out my big swage-crimping tool, and re-crimping a sleeve.
The other big task was getting the bandsaw set up and working – with an initial cut test showing that it should be more than capable of doing all the cuts I need to get my welding cart done.
Another week of grant application writing, and continuing to fine-tune my photo management strategy. I am increasingly disappointed in software that seems to ignore the existence of edge-cases.
I mixed up my first batch of cutting oil – buying the squirt bottles with the markers on the side was a stroke of genius, if I do say so myself. I’ve used it a lot over the years, but never actually made any up myself. It’s one of those weird liquids, where the oil is a translucent red, but when you mix it with water, it produces a milky emulsion, that doesn’t separate.
In my photo process, I’ve made a huge discovery as to why some of my Aperture projects don’t import correctly into Capture One, losing their organisational structure:
Turns out the projects that were created by iPhoto, prior to iPhoto and Aperture sharing a common library format, were tripping up the import process, and unable to be read by Capture One’s importer.
The solution, was to just rename the projects in Aperture, even renaming them to the same name seems to do the trick. Obviously a part of the process touches the Project’s metadata in a way that makes it readable by Capture One.
So this is a project I’ve been working away on designing for a while now, as a way to solve a lack of accessible studio space, and the need to stay at home during Covid social-distancing.
It’s a trifold-door cabinet, with internal power supply, that will be installed in my carport, between the secondary entrance (left) and laundry (right) doors of my home. It’s designed so that all the equipment stacks inside it – Welders and foldup welding cart go in first, then welding screens, then workbench.
All the equipment within is on wheels, so it can be rolled out and the space configured, with no lifting required. All it requires me to do is move my car forward a couple of metres, but the cabinet is narrow enough that my car can fit beside it when closed.
There’s a long, narrow workbench for my drill-press and bench-grinder, as well as storage, and a table for my metal-cutting bandsaw (a quiet alternative to a drop-grinder), that sits over the Air-Compressor. The compressor is an interesting piece of kit – it’s a silenced model, that uses two small motors, rather than one large one. You can easily hold a conversation at normal speaking volume, while standing next to it.
The power supply, which will sit roughly in the middle of the cabinet, is already installed – a pair of 15 amp, and a pair of 10 amp plugs, on a 32 amp line, so I can drive both the air compressor (10) and the welder’s plasma cutter (15) at the same time. Or, I can keep both my TIG and MIG welders powered up at the same time, and alternate between them, using MIG to tack things in place, then TIG for the finished welds.
All in all, it should be a super adaptable, and quick setup / packdown low-effort workspace.
Ordered steel for the welding cart project. It’s 8m lengths, rather than 6.5, so I’ll have a bit of stock left over, which isn’t a bad thing. Cutting by the steel merchant is $5 per cut – it won’t be long before the bandsaw pays for itself, in fact, at these prices, I’d hazard a guess that this project will do it.
Spent the weekend in Brisbane for medical appointments, and watched Twitter in horror as the NSW Police lived up to their reputation as violent thugs, and capsicum-sprayed a hundred trapped people under central station.
There’s always that part in the zombie film, where some idiot lets the zombies in by getting too close to the barricade, getting bitten, turning, and then suddenly the infection is inside the former stronghold.
That’s what things feel like now. Someone’s lifting up the edge of the dome – people outside the dome are there with their crowbars, lifting and prying, you hear parties in neighbouring apartment complexes, large groups loud and drunk, and so you hunker down, and wait for the second wave.
While hunkered down, I’ve been working on an arts grant, and spending vastly too much time arguing with strangers on internet forums.
Life drifts under the dome, days become weeks, weeks become months, every Sunday I look at my calendar, and realise how much more time has gone by.
This week was spent with construction noise, as the roof of the building I live in has a solar array installed. Future moment.
The singular task this week has been moving my photo library to a new drive, and new format. It’s been a slog – especially dealing with images from iOS devices, which randomly fail to include EXIF data in the files, AND don’t let you assign an image naming schema – so you’ll hae files called “IMG_1234.jpg” but no way to know for certain which device make it – an iPhone, somone else’s iPhone, an iPad – there’s no way to tell the images apart.
A lot of the detective work required looking at the filename, then looking for files with similar numbers, then inferring the dates they were shot – in one case trying to find out if there was a particular nightclub during a particular weekend in 2001.
A bunch of medical appointments, and continuing to bounce back and forth between trying to model up a cart for my welders and gas cylinder, and migrating my photo library to a new organisational structure, in preparation for adopting Capture One.
Gotta say, the more time I spend in Capture One, while it feels at times a bit less Mac-y, a bit more like a UNIX X-Windows app, it does feel nicer in some respects. Maybe it’s just a feeling of security that I’m moving a big part of my creative process out of a macOS-only app, and into one that’s cross-platform, or maybe it’s that catharsis of doing some careful manual organisation, but it’s a good feeling.
A bit of the week was taken up with dicking around trying to buy a new hard drive to store all my photos. It’s a multistage process – first I have to move the files out of Aperture’s library, then fix the fact that it gets the folder structure wrong by putting things in folders with the wrong date, but once it’s all sorted, it will be a thing of beauty, and able to be adapted to any photo DAM app I want to use in the future.
I bit the bullet and bought Capture One, then most of the week was spent on trying to figure out the workflow to replace Aperture.
It’s a difficult process.
In Aperture, I had a simple workflow that worked the same way for all cameras, iOS devices etc:
Sync out to iOS device with iTunes.
Unfortunately Cpture One can’t import from iOS devices directly, and the tool that is included in macOS as a part of Image Capture – AutoImporter, which is supposed to be able to slurp all images from the iOS Camera Roll whenever the device is connected, is broken as of iOS 10 and doesn’t do anything.