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For registered users.

And that’s the final week done. A year of work, and a year of weekly blog posts.

In the last week I was mostly occupied with getting the new Derby Daze photography eBook done, and submitted to the iBooks Store. Development was substantially faster than the previous one – all the work I put in developing templates is now paying off. I’ve also been working on the eBook versions of Surfing The Deathline. With the templates done, they’re coming together super quickly.

Sometime during the next week, I’ll put up a final year wrapup post.

Oh, and someone in Europe bought The Metaning this week, which was nice.

A lot of printing results came back this week, some of it great, some of it disastrous.

The Derby Daze [squareformat] book came in looking great, the printing looks nice, everything cool. Sadly not so much for The Metaning.

This brings up a bit of a problem – it seems like it’s not actually possible to get the work I’m doing printed through Apple’s Aperture printing

Looking at the options, it seems Blurb might be able to do the job for The Metaning, though it’s always irksome to have to pay a 25% premium to get rid of the Blurb logo.

This week has been dedicated to working on the print versions of The Metaning, as well as the print version of Derby Daze [squareformat]. Both have been ordered, and are awaiting delivery.

Other great news is that the new update to The Metaning on iBooks has been approved, and is now live.

There’s also been a whole bunch of administrative stuff surrounding my various accounts within Apple’s systems which I’ve been trying to sort out – it’s amazing the number of accounts I’ve accrued over the years

My plan for the next two weeks is to try and get one major piece of work finished each day. I’ve got the next Derby Daze ebook, and the first three parts of Surfing The Deathline to create.

This week was dedicated to a couple of interesting admin-type stuff things.

An update to The Metaning was pushed out to correct some problems in the previous versions. Additionally, work continues on the print version in Aperture.

Speaking of Aperture, a lot of time was spent on studying the videos for Apple’s WWDC conference, and the future of aperture, which hasn’t had a major update in years. Suffice to say, things are looking good.

Finally, we had the UWS Peoples Choice award presentation, where I found out that efforts are being made in earnest to get my work sold.

It’s been a bad week.

I got news that I had missed out on a grant for which it would be hard to imagine I could have been any more perfectly suited. As a result, I’ve had to pull out of Sculpture By The Sea Bondi 2014. I simply don’t have the cash to make the work, nor do I have the time to think about crowdfunding etc.

This is a real blow, as I’d been planning for and working towards this work and exhibition for over a year. Unfortunately none of the other works I have in reserve were considered acceptable substitutions, as they were too different to the original. I feel like somewhat of a fool, having been telling people for over a year now that I was slated to exhibit.

On the plus side, I’ve learned how to make big changes to the layout of Aperture printed books, and as such I’ll be able to move ahead with the fine art print version of The Metaning, which turned out to be a lot cheaper than going through a local printer. The inability to easily edit layouts on a global basis was a major problem with Aperture’s book layout engine. Its master pages setup is quite opaque compared to something like InDesign, but once you discover the knack there’s a surprising amount of flexibility enabled.

Another bit of good news is that I managed to figure out what was causing a bug in The Metaning when read in iBooks on a Mac. It seems Webkit on the iPad is a little more forgiving of errors. Problem fixed, there’s just a little bit of cleanup to do, and a new version will be submitted.

This week was spent on admin and comics. I’m still trying to get prices for printing. It’s looking reasonably good, except the photo books are larger than a digital press can do for their covers, so that’s going to be problematic.

I made what may turn out to be a reasonably big decision with regards to the final part of Surfing The Deathline. Originally slated to be a 66 page volume, I had a fresh look through it, and realised I could split it into 32 & 42 page episodes, taking the series to 5 parts. Since all books need to be a multiple of 4 pages, I had to add 3 and 2 content pages respectively to each book in order to get the pagecount to work. Below are the extra page roughs from what will be the new Surfing The Deathline 4:

What’s most important about these images is that they’re entirely digital – drawn in ProCreate from Tasmanian company Savage Interactive, using the Adonit Jot Touch stylus on the iPad. Sketching rough pages like this was a bit of a revelation – the ability to zoom, move, apply transforms and duplicate panels while drawing on the screen itself, brings an entirely different sensation for writing.

I also tried something I’ve not done before – tweeting each image with at-mentions of ProCreate and Adonit – both of whom at-mentioned me back with messages of support, so that’s an interesting experiment in social media.

Another change was to finally upgrade my Mac to run the current Mavericks version of Mac OS X. I held off till now, waiting until Apple added back the ability for iOS devices to sync contacts & calendar information locally, rather than having to send the data to the other side of the planet in order to move it 30cm.

That done, the new system seems to be pretty stable.

Another thing, I was approached by an iPad keyboard vendor to review their product. It’s pretty interesting bit of gear, so we’ll see how it goes.